Untitled (pink skin)
Fun fact: the silicone sweats π§
Installation view, ‘transcript’, 2024, @penrithregionalgallery. Photo: Silversalt Photography
The most exciting thing that happened today was finding out my head is perfectly sized for the bottom of the sink
Today is Wednesday/studio play day.
Ive been pretty consistent with showing up to the studio for the past 7-8 months. Most of the time is spent working on my laptop, writing applications, planning projects etc. I realised that i wasn’t allowing myself to make stuff unless i was working towards a particular artwork. I always felt like time was running out, and i cant waste time ‘not working’.
We all need play time though, and i realise that its not wasted time. This is where the work comes from. Idk maybe i just had too much going on last year. But now i have some more breathing room. So when i was planning out the start of 2025 i made sure to schedule at least one day a week to playyyyyyyy
The usual
transcript @penrithregionalgallery
Till Feb 16
Photo by em @ember.in.rain
Day at the studio
Was really excited to be able to play again. Ive been so stuck in my head the last few months and haven’t been able to make. Im trying to allocate time to playing in the studio and using my hands instead of my head. ππ½π₯
Spent the day playin around with some silicone and sewing and working on a residency application
Big year
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I dont have many words right now but i feel so lucky. 2024 was a busy busy time. I got my first art studio, had my first solo show, made new friends, did art, ate mangoes.
One of the things im most proud of is the work we’ve been doing at @riffraff_ari. In just one year we’ve made a short film, a magazine featuring local artists, a show at the library, monthly artist meet ups and rat house, a pop up house show with the riff rats.
I finally feel like i have a place here, with the rats.
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I heard this song on the radio a few days ago and it transported me back to early primary school. Kinda strange. But giving grindshine energy πͺπ½β¨
Actually probably grineshined too hard last year. Hopefully this year ill take more days off, more floor time and even more high fives.
Ps link in bio to listen to @stilllifewithpansy’s episode on Adolescent, my work from earlier this year.
Have you seen transcript yet?
@penrithregionalgallery until Feb 16
(The gallery will be closed from the 24th of December to 5th January)
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Photo: @ember.in.rain
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π· @ember.in.rain
Untitled (Pink Skin)
Close up detail
Inside out silicone mould of my hands
Now showing in ‘transcript’ @penrithregionalgallery
Photos by Emma @ember.in.rain
Thank you to everyone who came along to the opening last week!! It was so so good to see everyone. Life doesn’t feel real most of the time. I think thats part of the reason i do art. It feels kinda crazy to have my name up on the wall.
Everyone keeps asking me how i feel about my show and i havent really been able to give an answer. After the install i was kind of brain empty no thoughts. In the lead up to the show i was reflecting a lot on what this even means. What is the purpose of showing my work? Its a question an artist friend asked me a while ago and ive been stuck on it ever since. Because yeah i would usually talk about my art practice as a pretty personal thing that i do for myself. In a way it feels strange to put it out in the world for other people to see and interpret. So why do it?
I think i feel (a bit) better about it all now after the opening. Its was really special to see people connect with my work and bringing their own point of view.
I feel so so lucky to be on this art/life path. But i really wouldn’t be here without my family and artist communityβ€οΈ ily rats
Also thank you to @toby___chapman for all your support and listening to me complain about my mess of a brain for the past year. #grindshineforever
transcript is on now at @penrithregionalgallery until Feb 16.
Photography by THE Emma Griffiths @ember.in.rain
Around the time of making the feet socks I was looking through my dads old stuff. One of the things I found was this cassette tape with covers by my dads old band. I borrowed a friend’s cassette player and sobbed for days listening to his voice. Shoutout and thank u @anti.bvz for digitising.
The headphones in transcript play one of these songs, a cover of Do You Remember?
I found it kinda funny how the titles of the 3 songs on the tape which had him singing were kind of relevant to his current situation (late stage dementia). The songs: Do You Remember, Already Gone and Handle with Care.
You can listen to the full song in my exhibition, transcript. At @penrithregionalgallery until feb 16.
π¦Άπ½Ive been working on these ‘feet socks’ for the last few months. I think its one of my favourite works to date. Its one i feel so strongly connected to at this moment. I guess more because of the process of making this work, and where it’s landed me.
The work is a pair of silicone feet. The outer shape was made using a mould of my dads feet, with the inner negative space being the shape of mine.
The silicone ‘feet socks’ occupy the physical space between him and me.
The making of this work parallels my personal process of understanding (or trying to understand) who my dad was.
For some additional context: my dad has late stage dementia. Ive always had a complicated relationship with him. It was only after he was diagnosed with early onset dementia a couple years ago that i was able to really start to process my upbringing.
It was at this time when i started to be kinda angry with him (in my mind) for the way he was when i was growing up. Its been a gradual process over the last couple of years but my perspective on him started to change.
This work was one of the things that helped me repair my internal relationship with him. I started to understand more and more why he was the way that he was. I also started to see the ways that we are similar.
More and more i feel like i can understand. I understand him because i am him.
Its kinda funny but i feel closer to him now than ever, while he no longer knows who i am.
Part of the process of making the work was spending time with him (something ive been finding hard to do). It gave me an excuse to hang out with him while i made moulds of his feet, something i really should do more of while i can.
Theres so so much more to say, might write about it in more detail eventually. But yeah this work was something that needed to happen at this time, and im glad ill have this piece of him and me to hold onto after he passes.
This work is now showing in my first solo exhibition, transcript at @penrithregionalgallery. Opening event this Friday the 15thπ¦Άπ½